#pl118 Private Copy Levy and the Movies. Something is wrong

Portugal is now discussing a big change in the Private Copy Levy (#pl118) where we are seeing a massive discussion on social networks about it. The main justification for this new levy is that creators need to be protected and payed for.

This is just a simple analysis of some data I gathered online and that show that something isn’t right with the arguments (at least in the movies sector).

Let’s start with a plot of Movie Spectators per 1000 inhabitants:

It’s clear that we are now on a downtrend (at least from the late 70’s), but the past ten years have became at most stagnant (if not dropping) in terms of spectators per 1000 inhabitants.

But if we look at the plot of the revenue of the movies we get this picture:

We can see that Box Office revenue has grown almost steadily over the past years. So why are politicians arguing that artists aren’t being payed for their creative work when less spectators are generating even more revenue than ever?

One reason I came up with  (and there are many others) is that maybe these movies are all foreign and the Portuguese creators are out of work and therefore receiving less pay. I went on to investigate that and looked at the number of exhibitions of movies by country of origin:

Not bad, we have been growing for the past 10 years or so (with the exception of 2008). But what is the percentage of these exhibitions on the total number of exhibitions?

So we have it, only around 2 percent of the movies exhibited are from Portugal. A big drop from the 14 percent in the 80’s.

So, we have a decline in the number of spectators and a decline in the number of Portuguese movies exhibited, but the much more profitable USA movies dominate the movie theaters and the revenue of the industry is increasing every year.

With the argument that the Portuguese creator needs protection, everyone is going to be taxed on any kind of storage device while at least in the movies it looks more that the Portuguese creators are in crisis because of the movie theater industry that prefers the imports to the national production.

At least in this sector it’s not Hard Drives that are hurting the Portuguese creators. Politicians might want an extra revenue source for our deficit budget, but their arguments don’t look solid when you start looking at all the details.

One could close easily with the favorite Ministers phrase of the moment: If you can’t be payed here go abroad, but I prefer the more traditional:

Curtains Down

On Google self-driving cars

I couldn’t agree more with what Alan Winfield says about this problem: The challenge is not to have an autonomous car, the challenge is to prove the correctness of the system, and of a system that learns during the process. This type of adaptive systems pose several challenges and probably the most challenging one is the public perception of their quality and robustness. We’ve seen some problems recently: The cases of the electronic accelerator of the Prius or the emergency-breaking system of the Volvo C60, both show that these systems are  in their early deployment days. To go from this stage to a future driving experience where our cars are our personal chauffeurs there’s still a long road ahead (pun intended), and probably we wont see these kinds of cars in the next 10 years or so.

Links:

Google Announcement Alan Winfield blog entry

88 minutos

Estreia hoje o 88 minutos. Se gosta do Al Pacino vá ver. Se o Al Pacino não lhe diz mais um outro qualquer actor de Hollywood então poupe o dinheiro dos bilhetes ( que estão cada vez mais caros ) e espere pela edição em vídeo.

I am Legend

Vi finalmente o I am Legend e honestamente fiquei com uma desilusão muito grande. O filme vale apenas pelas imagens de Manhattan e pelo Shelby GT500 vermelho do princípio do filme… A história começa por prometer muito, mas parece-me que a dada altura eram tantas as possibilidades para o filme que acabaram por não seguir nenhuma ideia concreta. Aliás a prova disso é a existência de uma final alternativo.

É bom entretenimento, mas não conseguiu passar disso quando tinha o potencial para ser um filme muito importante.